Фальшиві тони

Philip Auslander. Liveness: Performance in a Mediatized Culture (2012). Routledge.

Paul Sanden. Liveness in Modern Music: Musicians, Technology, and the Perception of Performance (2013). Routledge.

Mark Gresham. «Silenced: ASO used as musical ‘prop’, audience hears recorded music at 11 Divo concert». Arts Atlanta. 14 серпня 2012.

https://www.artsatl.org/atlanta-symphony-forced-pantomime-pre-recorded-tracks-sundays-il-divo-concert/

Norman Lebrecht. «In Atlanta, the orchestra is shamed at а pantomime concert». Arts Journal. 17 серпня 2012.

Скандал з «Milli Vanilli» описується в «Liveness», а також:

Hallie Fryd. Scandalous!: 50 Shocking Events You Should Know About (So You Сan Impress Your Friends) (2012). Houghton Mifflin Harcourt.

Ian Inglis. Performance and Popular Music: History, Place and Time (2006). Ashgate Pub Со.

Корекція голосу

David Hajdu. «Imperfect Pitch». New Republic. 22 червня 2012.

https://newrepublic.com/article/104194/david-hajdu-music-imperfect-pitch

Sasha Frere-Jones. «The Gerbil’s Revenge». New Yorker. 9 червня 2008.

https://www.newyorker.com/magazine/2008/06/09/the-gerbils-revenge

Lessley Anderson. «Seduced by ‘perfect’ pitch: How AutoTune conquered рор music». The Verge. 27 лютого 2013.

https://www.theverge.com/2013/2/27/3964406/seduced-by-perfect-pitch-how-auto-tune-conquered-pop-music

Інтернет-портал Gearslutz.com:

https://gearspace.com/board/so-much-gear-so-little-time/393226-vocalists-singing-like-autotune-without-autotune.html

Hunter Stuart. «Amateur Singer Emma Robinson’s Voice Naturally Sounds Auto-Tuned». The Huffington Post. 7 липня 2013.

https://www.huffpost.com/entry/emma-robinson-voice-autotuned_n_3555690