Евгений Гусятинский. Без тайны. «Тайное сияние», режиссёр Ли Чхан Дон. Искусство кино. URL: https://old.kinoart.ru/archive/2007/07/n7-article12 [дата обращения: 04.11.2022]
108
Kaplan A. (2001). Melodrama, Cinema and Trauma. Screen, 42 (2), p. 204.
109
К примеру, см. Mcgowan, T. (2007). Affirmation of the Lost Object: Peppermint Candy and the End of Progress. Symplokē, 15 (1/2), 170—189. Chung, H.S. & Diffrient, D. (2007). Forgetting to Remember, Remembering to Forget: The Politics of Memory and Modernity in the Fractured Films of Lee Chang-dong and Hong Sang-soo. In
110
Cinema of Trauma. The Films of Lee Chang-dong. MoMa. URL: https://www.moma.org/calendar/film/5043.
111
Taylor-Jones, K. (2013). Lee Chang-dong and the Trauma of History. In
112
Caruth, C. (1996). Unclaimed Experience: Trauma, Narrative, and History. Johns Hopkins University Press. P. 56.
113
Min Soon-ui (2007). The anthropological reflection raised by the movie «Miryang» — focusing on the reality of evil and the direction of salvation. Religion and Culture, 13, 216.
114
Kaplan A. (2001). Melodrama, Cinema and Trauma. Screen, 42 (2), p. 204.
115
Heo Moon-young. (2007). Lee Chang-dong’s «Miryang». The secret light, the road to Miryang. Cine 21. URL: http://www.cine21.com/news/view/?mag_id=46373.
116
«Miryang», director Lee Chang-dong, «A movie about humans, not about religion» (2007). The Hankyoreh. URL: https://www.hani.co.kr/arti/culture/movie/211666.html.
117