Robinson, Paul, The White Russian Army in Exile 1920–1941, Oxford: Oxford University Press, 2002.
Ronald, Susan, A Dangerous Woman: The Life of Florence Gould, New York: St. Martin’s Press, 2018.
Rood, Karen Lane, American Writers in Paris, 1920–1939, vol. 4 of Dictionary of Literary Biography, Detroit: Gale Research Company, 1980.
«Royalty Yields to Romance», Woman’s Home Companion 51, 1924, 7–12, 25–26, 106.
Rubins, Maria, Russian Montparnasse: Transnational Writing in Interwar Paris, London: Palgrave Macmillan, 2015.
Russian Paris, 1910–1960, exhibition catalog, St. Petersburg: State Russian Museum, 2003.
Salisbury, Harrison E., Black Night, White Snow, New York: Doubleday, 1978.
Scheijen, Sjeng, Diaghilev, London: Profile Books, 2010.
Schouvaloff, Alexander, The Art of Ballets Russes: The Serge Lifar Collection of Theater Designs, Costumes, and Paintings at the Wadsworth Atheneum, New Haven: Yale University Press, 1998.
Skinner, Cornelia Otis, Elegant Wits and Grand Horizontals: Paris, La Belle Époque, London: Michael Joseph, 1963.
Skipwith, Sofka, Sofka, the Autobiography of a Princess, London: Hart-Davis, 1968.
Slobin, Greta, Russians Abroad: Literary and Cultural Politics of Diaspora, 1919–1939, Brighton, Mass.: Academic Studies Press, 2013.
Smith, Douglas, Former People: The Destruction of the Russian Aristocracy, London: Macmillan, 2012.
Starostina, Natalia, «On Nostalgia and Courage: Russian Émigré Experience in Interwar Paris through the Eyes of Nadezhda Teffi», в Diasporas: Circulations, Migrations, Histoire 22, 2013, 38–53, https://journals.openedition.org/diasporas/.
Teffi, Memories: From Moscow to the Black Sea, London: Penguin, 2016.
Teffi, Subtly Worded, London: Pushkin Press, 2014.
Teffi, Rasputin and Other Ironies, London: Pushkin Press, 2014.
Teffi, Gorodok / Little Town, 1927, перевод Edythe Haber, 1982, http://az.lib.ru/t/teffi/text_1927_gorodok.shtml
Tsvetaeva, Marina, After Russia (Paris 1928): The First Notebook, Swindon, UK: Shearsman Books, 2017.
Ular, Adam, Russia from Within, London: Heinemann, 1905.